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فرع لسانيات يدرس تحديد وتحليل ووصف لهيكل نسمي لغة معينة ووحدات لغوية أخرى، مثل جذور الكلمات، اللاحقات أو أجزاء من الكلام، والتجويد/الإجهاد، أو سياق ضمني (الكلمات في قاموس هي موضوع lexicology). التصنيف المورفولوجي يمثل طريقة لتصنيف اللغات وفقا للطرق التي تستخدم نسمي في لغة – من التحليلية التي تستخدم فقط معزولة نسمي، من خلال أجلوتيناتيفي ("تمسك معا") وواحد لغات اشتقاقية أن نسمي (اللاحقات)، منضم حتى بوليسينثيتيك، الذي ضغط نسمي منفصلة كثيرة في استخدام الكلمات.
Industry:Language
فرع اللغويات الدراسات التي تسهم الطرق في هذا السياق معنى. ويشمل البراغماتية نظرية فعل الكلام والحديث في التفاعل والتخاطب implicature نهج أخرى لسلوك اللغة في الفلسفة وعلم الاجتماع، واللغويات.
Industry:Language
يستخدم حقلاً فرعياً للسانيات الذي يدرس بمعنى أن فهم التعبير البشري عن طريق اللغة. دراسة الرسمي من دلالات يتقاطع مع العديد من المجالات الأخرى من التحقيق، بما في ذلك lexicology، وبناء الجملة، والبراغماتية، أصل التسمية وغيرها، على الرغم من دلالات حقل المعالم في حد ذاتها، غالباً مع الخصائص التركيبية.
Industry:Language
1000 Airplanes on the Roof is a melodrama in one act by Philip Glass which featured text by David Henry Hwang and projections by Jerome Sirlin. It is described by Glass as "a science fiction music drama".
The work was commissioned by the Donau Festival, Krems an der Donau, The American Music Theater Festival, Philadelphia, and West Berlin City Council in 1988. The opera premiered on July 15, 1988, at the Vienna Airport in Hangar #3. The performance featured vocals by Linda Ronstadt and was conducted by Michael Riesman. The US premiere took place in September 1988 at The American Music Theater Festival, Philadelphia and went on to play in 40 US cities, including New York, Boston and Chicago as well as Glasgow, Scotland during that city's celebration as European City of Culture.
Industry:Drama
1492 epopea lirica d'America is an opera in four acts by Antonio Braga. Composed from 1985 to 1989, it stage premiered on 13 October 1992 in Santo Domingo, Teatro Nacional.
Industry:Drama
1984 is an opera by the American conductor and composer Lorin Maazel, with a libretto by J. D. McClatchy and Thomas Meehan. The opera is based on George Orwell's novel, Nineteen Eighty-Four. It premiered on 3 May 2005 at the Royal Opera House, Covent Garden in a production directed by Robert Lepage.
1984 was the first opera composed by Maazel, following a conducting career that spanned more than 50 years; he was 75 years old when his work had its premiere. The opera was originally commissioned by August Everding, the director of the Bavarian State Opera, and Maazel later admitted surprise at the offer. "I'd never thought of writing an opera, and it took years to convince me," he stated in an interview prior to the premiere.
After Everding died, it appeared the work might not proceed, but Maazel got it picked up by Covent Garden and the Tokyo Opera. This was to be a joint endeavour, but Tokyo ultimately backed out, leaving it in limbo again. Maazel then stepped in and paid about £400,000 to finance the project through a company he formed for the purpose, Big Brother Productions. By picking up nearly half the costs, he allowed the Royal Opera House to spend what it would for a typical revival from the standard repertoire, rather than a more expensive new production. This saved the opera from oblivion, but also led to charges that the Royal Opera House was spending taxpayer money to support a vanity project
Industry:Drama
Le 66 is an opérette in one act of 1856 with music by Jacques Offenbach. The French libretto was by Pittaud de Forges and Laurencin (Paul Aimé Chapelle). Gänzl describes the work as "in the rustic vein of Le violoneux and Le mariage aux lanternes".
The premiere was at the Théâtre des Bouffes Parisiens (Salle Lacaze) Paris, on 31 July 1856, one of nine one-acters produced by the Bouffes Parisiens that year. Le 66 remained in the Bouffes Parisiens repertoire, and was played by them in Vienna in 1862. It had already been seen at the Carltheater in that city in 1859, was produced in Budapest in 1860, and mounted in London in 1865 and 1876. It was revived in Paris in 1984 at the Studio Bertrand alongside Pépito.
Contemporary critics particularly admired in the score the romance and tyrolienne and the entry song of the colporteur.
Industry:Drama
L'abandon d'Ariane Op. 98 (The Abandonment of Ariane or, in German, Die Verlassene Ariadne) is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three Opéras-Minutes (Mini-Operas) that Milhaud composed. It came between L'Enlèvement d'Europe Op. 94 and La Délivrance de Thésée Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes.
The first performance of the trilogy - L'Enlèvement d'Europe, L'Abandon d'Ariane and La Délivrance de Thésée - was at the Hessisches Staatstheater Wiesbaden, Germany on 20 April 1928. These performances were given in a German translation by Rudolph Stephan Hoffmann.
L'Abandon d'Ariane has been recorded several times; however, it is rarely performed live.
Industry:Drama
Abu Hassan is a comic opera in one act by Carl Maria von Weber to a German libretto by Franz Carl Hiemer (de), based on a story in One Thousand and One Nights. It was composed between 11 August 1810 and 12 January 1811 and has set numbers with recitative and spoken dialogue. The work is a Singspiel in the then popular Turkish style.
Abu Hassan was first performed at the Residenz Theater in Munich on 4 June 1811, under Peter Winter. In London, it was produced in English at Theatre Royal, Drury Lane in 1835, and in Italian at Drury Lane on 12 May 1870 (at the same time as Mozart's L'oca del Cairo), the translation being made by Salvatore Marchesi (it), and the dialogue set to recitative by Luigi Arditi.
Industry:Drama
Acante et Céphise, ou La sympathie is an opera by Jean-Philippe Rameau, first performed on 19 November 1751 at the Opéra in Paris. It takes the form of a pastorale héroïque in three acts. The librettist was Jean-François Marmontel. The opera was written to celebrate the birth of the Duke of Burgundy, the elder brother of the future King Louis XVI.
Although the plot has been described as "puerile....the plot evokes from Rameau a score of remarkable imagination"; it is richly scored and contains the first surviving use of clarinets in a French opera. They appear in the overture, which contains a section imitating the firework display celebrating the birth of the duke.
While the first presentation of the opera in the UK took place on BBC radio on 21 November 1983, University College Opera (London) gave the opera's UK staged premiere in March 2012 in the Bloomsbury Theatre and one of the first performances in the world since the 18th century.
Industry:Drama
