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Wikipedia is a collaboratively edited, multilingual, free Internet encyclopedia supported by the non-profit Wikimedia Foundation.
In works of narrative (especially fictional), the literary element setting includes the historical moment in time and geographic location in which a story takes place, and helps initiate the main backdrop and mood for a story. Setting has been referred to as story world or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction.
Industry:Literature
A short story is a brief work of literature, usually written in narrative prose. Emerging from earlier oral storytelling traditions in the 17th century, the short story has grown to encompass a body of work so diverse as to defy easy characterization. At its most prototypical the short story features a small cast of named characters, and focuses on a self-contained incident with the intent of evoking a "single effect" or mood. In doing so, short stories make use of plot, resonance, and other dynamic components to a far greater degree than is typical of an anecdote, yet to a far lesser degree than a novel. While the short story is largely distinct from the novel, authors of both generally draw from a common pool of literary techniques.
Short stories have no set length. In terms of word count there is no official demarcation between an anecdote, a short story, and a novel. Rather, the form's parameters are given by the rhetorical and practical context in which a given story is produced and considered, so that what constitutes a short story may differ between genres, countries, eras, and commentators. Like the novel, the short story's predominant shape reflects the demands of the available markets for publication, and the evolution of the form seems closely tied to the evolution of the publishing industry and the submission guidelines of its constituent houses.
The short story has been considered both an apprenticeship form preceding more lengthy works, and a crafted form in its own right, collected together in books of similar length, price, and distribution as novels. Short story writers may define their works as part of the artistic and personal expression of the form. They may also attempt to resist categorization by genre and fixed form.
Industry:Literature
The slave narrative is a literary form that grew out of the written accounts of enslaved Africans in Britain and its colonies, including the later United States, Canada and Caribbean nations. Some six thousand former slaves from North America and the Caribbean gave accounts of their lives during the 18th and 19th centuries, with about 150 narratives published as separate books or pamphlets. In the 1930s in the United States, during the Great Depression, more than 2300 additional oral histories on life during slavery were collected by writers sponsored and published by the Works Progress Administration (WPA) of President Franklin D. Roosevelt's administration. Most of the 26 audio-recorded interviews are held by the Library of Congress.
Some of the earliest memoirs of captivity known in England and the British Isles were written by white Europeans and later Americans captured and sometimes enslaved in North Africa, usually by Barbary pirates. These were part of a broad category of "captivity narratives" by English-speaking Europeans. Beginning in the 18th century, these included accounts by colonists and American settlers in North America and the United States who were captured and held by Native Americans. Several well-known captivity narratives were published before the American Revolution, and they often followed forms established with the narratives of captivity in North Africa. Later North American accounts were by Americans captured by western tribes during 19th-century migrations.
For the Europeans and Americans, the division between captivity as slaves and as prisoners of war was not always clear. A broader name for the genre is "captivity literature". Given the problem of international contemporary slavery in the 20th and 21st centuries, additional slave narratives are being written and published.
Industry:Literature
The term social refers to a characteristic of living organisms as applied to populations of humans and other animals. It always refers to the interaction of organisms with other organisms and to their collective co-existence, irrespective of whether they are aware of it or not, and irrespective of whether the interaction is voluntary or involuntary.
Industry:Literature
The sociology of literature is a subfield of the sociology of culture. It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996).
Industry:Literature
Soft science fiction, or soft SF is a category of science fiction that is based on and explores the "soft" sciences, and especially the social sciences (anthropology, sociology, psychology, political science, and so on), rather than engineering or the "hard" sciences (for example, physics, astronomy, or chemistry). Soft science fiction is often more concerned with character, and speculative societies rather than scientific or engineering speculations. It is the complement of hard science fiction. The term first appeared in the late 1970s and early '80s.
In The Encyclopedia of Science Fiction, Peter Nicholls writes that "soft SF" is a "not very precise item of SF terminology" and that the contrast between hard and soft is "sometimes illogical." In fact, the boundaries between "hard" and "soft" are neither definite nor universally agreed-upon, so there is no single standard of scientific "hardness" or "softness." Some readers might consider any deviation from the possible or probable (for example, including faster-than-light travel or paranormal powers) to be a mark of "softness." Others might see an emphasis on character or the social implications of technological change (however possible or probable) as a departure from the science-engineering-technology issues that in their view ought to be the focus of hard SF. Given this lack of objective and well-defined standards, "soft science fiction" does not indicate a genre or subgenre of SF but a tendency or quality—one pole of an axis that has "hard science fiction" at the other pole.
For example, a book like George Orwell's Nineteen Eighty-Four might be described as soft science fiction, since it is concerned primarily with how society and interpersonal relationships are altered by a political force which uses technology mercilessly; even though it is the source of many ideas and tropes commonly explored in subsequent science fiction, (even in hard science fiction), such as mind control and surveillance. And yet, its style is uncompromisingly realistic, and despite its then-future setting, very much more like a spy novel or political thriller in terms of its themes and treatment.
Another example of soft science fiction would be the film The Invention of Lying, written by Ricky Gervais which explores an alternate setting where lying is impossible. However, the setting appears to be relatively similar to our own world in terms of aesthetics and industrial progression.
By contrast, Karel Čapek's R.
U.
R., though the original source for the robot found with near-ubiquity in much subsequent Science Fiction, is un-scientific in its style and approach. Čapek's robots are manufactured like gingerbread men, implying that for all his concerns with free will and ideas of personal liberty, his play is essentially a kind of soft science fiction, or even a literary fantasy.
Industry:Literature
In music, a song is a composition for voice or voices, performed by singing or by musical instruments. A choral or vocal song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs. The lyrics (words) of songs are typically of a poetic, rhyming nature, though they may be religious verses or free prose.
A song may be for a solo singer, a duet, trio, or larger ensemble involving more voices. Songs with more than one voice to a part are considered choral works. Songs can be broadly divided into many different forms, depending on the criteria used. One division is between "art songs", "pop songs", and "folk songs". Other common methods of classification are by purpose (sacred vs secular), by style (dance, ballad, Lied, etc.), or by time of origin (Renaissance, Contemporary, etc.).
A song is a piece of music for accompanied or unaccompanied voice/voices or, "the act or art of singing," but the term is generally not used for large vocal forms including opera and oratorio. However, the term is, "often found in various figurative and transferred sense (e.g. for the lyrical second subject of a sonata...)." The noun "song" has the same etymological root as the verb "to sing" and the Oxford English Dictionary (OED) defines the word to mean "that which is sung" or "a musical composition suggestive of song." The OED also defines the word to mean "a poem" or "the musical phrases uttered by some birds, whales, and insects, typically forming a recognizable and repeated sequence and used chiefly for territorial defence or for attracting mates."
Industry:Literature
Soteriology is the study of religious doctrines of salvation. Salvation theory occupies a place of special significance and importance in many religions.
In the academic field of religious studies, soteriology is understood by scholars as representing a key theme in a number of different religions and is often studied in a comparative context; that is, comparing various ideas about what salvation is and how it is obtained.
Industry:Literature
Southern Gothic is a subgenre of Gothic fiction unique to American literature that takes place exclusively in the American South.
Common themes in Southern Gothic literature include deeply flawed, disturbing or eccentric characters who may or may not dabble in hoodoo, ambivalent gender roles and decayed or derelict settings, grotesque situations, and other sinister events relating to or coming from poverty, alienation, racism, crime and violence. While the tales in literature can be set among various classes, the decay of the southern aristocracy and the setting of the plantation are the usual settings for southern gothic tales in the popular mind.
Industry:Literature
Space opera is a subgenre of science fiction that often emphasizes romantic, often melodramatic adventure, set mainly or entirely in outer space, usually involving conflict between opponents possessing advanced abilities, weapons and other technology. The term has no relation to music but is instead a play on the term "soap opera".
Industry:Literature
